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"Hi, I'm Taylor," she told the crowds on her Red tour. I'm told I have a lot of feelings." Swift's first three albums display her emotional yet uncommonly inventive country style — even early hits like "Our Song" and "Tim Mc Graw" sound like nobody else.
(Only she could slip the line "Any snide remarks from my father about your tattoos will be ignored" into a teen romance like "Ours.") But she's really hit her stride with the pop mastery of Red and 1989, especially on confessional ballads like "Clean" and "All Too Well." There's no limit to where she can go from here.
But when they took a stab at disco with 1975's "Jive Talkin'," their career kicked into an even higher gear.
Besides their own hits (including a string of six consecutive Number Ones), the brothers wrote the title song for Grease, Kenny Rogers and Dolly Parton's "Islands in the Stream," Barbra Streisand's "Guilty," and Destiny's Child's "Emotion." "We see ourselves first and foremost as composers, writing for ourselves and other people," Robin Gibb said.
But he become the American punk-rock poet laureate of the Eighties, reeling off shabbily rousing underdog anthems like "I Will Dare" and "Bastards of Young," as well as beautifully afflicted songs like "Swinging Party" and "Here Comes a Regular." A high-school dropout, Westerberg spoke for a nation of smart, wiseacre misfits, paving the way for Green Day and Nirvana, both of which were led by avowed Replacements fans.
"Westerberg could be barreling along and do 'Tommy Gets His Tonsils Out' or 'Gary's Got a Boner,' and then he could slide into 'Unsatisfied' or 'Sixteen Blue,' says Craig Finn of the Hold Steady.
"I have dyslexia, and I've used it to its best advantage." With a talent for wordplay that can be as head-spinning as it is disturbing, and a knack for incessant sing-song choruses that suggest he might've thrived in a Brill Building cubicle, Eminem crams hugely popular songs with more internal rhymes and lyrical trickery than anyone else in contemporary pop."If you listen to my songs, they tell stories," Missy Elliott has said."I write almost as if I'm in conversation with somebody." The crucible of her collaboration with Timbaland was the Swing Mob, a loose constellation of performers and producers who worked with Jodeci's De Vante Swing in the early Nineties.But that multiplatinum triumph was just the tip of the iceberg: Australian brothers Barry, Robin and Maurice Gibb were massively successful songwriters for decades.Elton John has called them "a huge influence on me as a songwriter"; Bono has said their catalog makes him "ill with envy." The Bee Gees' earliest hits ("New York Mining Disaster 1941," "To Love Somebody") were melancholy psychedelia, and their first U. Number One single, "How Can You Mend a Broken Heart," was promptly covered by Al Green.
Taylor uses so much ice when her husband's out of town. Riley in 1968, it freed Hall to record his own work, which included songs about burying a man who owed him 40 dollars, mourning the death of the local hero who taught him how to drink and play guitar, and "Trip to Hyden," a journalistic tale of a drive to the scene of a mining disaster that was part Woody Guthrie, part Studs Turkel. When Elvis Presley recorded one of his songs, the result was 1956's epochal "Don't Be Cruel," which was simultaneously Number One on the pop, R&B and country charts.